The film does not pretend to present the history of Vilnius photography in an academic or encyclopaedic way, nor to present in detail the masters who created photographic images of this city. It is a film about love... love for the city and its people. That's why the film is made up of photographs of people. They are either directly visible, or have just been here, or are about to come, or you can feel the glances, touches, sighs of past generations absorbed by these walls. In a word, they are inhabited cityscapes, not meant for the tourist. We find them in the work of the old masters and the living classics.